Friday, April 29, 2011

As I was journaling this morning I thought I might check in with the daily prompt generator and see what might be the suggested line of thought for the day.

TODAY'S PROMPT: "Know your limitations and be content with them. Too much ambition results in promotion to a job you can't do." - David Brent

This is so appropriate to what happens to me when coming up with ideas about how to quilt a quilt. I can easily come with a multitude of design possibilities that look good on paper but when it comes to the actuall execution of a given design plan, look out. Be sure to keep things in perspective before you start making suggestions to customers regarding possible custom quilting jobs. Have a good sense of the time that is going to be involved and what that means to your bottom line and their quilting budget. In another words, how much you charge for your services in quilting the quilt. Such was the topic of my conversation with Ruth yesterday.

Ruth has a quilt with flying geese units going all the way around the quilt. The size of the quilt is like a large double or queen bed sized quilt. The reason she called was to check in about how to do a p2p pattern so she could drop a motif in each one of the geese. Keep in mind, this means there are easily more than 200 geese units flying around the edges of this quilt. But not to worry, we have Creative Studio and that makes everything so much easier!
Everything we were talking about as possible quilting ideas for this goose border using p2p pattern was sounding do-able ... time consumming but do-able until I told her I would be clicking the boundaries of the geese and using the new stretch handles to tweak the motif placement. Many of our piecers are quite precise with their patchwork, but we're all human and we are working with fabric.
The only guarantees in the quilting process are: The fabric will move; our seams will be off kilter just a bit here and there; stretching will have happened as we pressed. There is nothing quite so humbling as when I quilt one of my own quilts. Yep, I'm human and even though I do my best, no matter how careful I am, and no matter how close I keep my seam ripper (and use frequently) my seams will on occassion wobble, my points might be cut off, and my borders might even flap just a tad.
This final bit of tweaking on each motif raises our level of precision in the quilting up a notch and that is what I call "quilt-show-quality" quilting and I do adjust my fees accordingly. And then there is the sky units of each goose. The question of the day ... leave it empty or put something in? But now, when you think about the added hours in finishing up the borders of the quilt, the clock is ticking and the job price is going up faster, almost, than gas prices these days.
The solution: Ruth and I both agreed (with no complaints from the customer) that doing a feather border pattern over the geese units would suit the overall quilting design just fine. The quilting could be finished in a timely manner and within budget. Having a clear sense of the possibilities is a must when choosing a design plan for a quilt, and coming up with a plan that matches ...
  • how the quilt will be used
  • who the quilt is for
  • what kind of budget are we working with
  • what is the time frame for a finish date to be met
  • and, most importantly, developing a plan that reflects your style and is compatible with your skill as a quilter
All of these points are critical to keep in mind when working out a design plan whether for yourself or when working with a customer. There is a fine line we walk between the advice from Goethe and Brent as to when and how brave to be ... how much courage and risk taking are you up to on any given day, or is a "play it safe" kind of day. But once again, when all of these pieces of the patchwork puzzle are in place we have a win-win for everyone involved.
And with that said, I may be in and out a little during the next week ... Mike is flying in today for the first time since early January. It's been a long 4 months and I just might be a little distracted :)
... know your craft ... practice your craft ...
... and ... be innovative with your craft ...

Monday, April 25, 2011

Today's post is about something I struggle with all the time ... the proverbial "to-do" list. I'll let you in on a little secret (shhh ... don't tell ... and ... I don't think I'm alone on the list.)

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Saturday, April 9, 2011

PUMPKIN PATCH CLASS: DIAMONDS ON THE DOUBLE

Ah a day for petting the fabrics, playing in the scrap bins, and getting a little bit ahead on the cutting for several different projects while I prep for Saturday's class using my pattern called MQS 112 DIAMONDS ON THE DOUBLE at Pumpkin Patch Quilts in Lee. Here's what I worked on cutting:

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Friday, April 8, 2011

OLGA'S MAP QUILT

Now here's a fun quilt. (Thanks so much to Olga for sharing with us how she used Loopy Sash and 1375 LOOPY STARS. Anita's Cream Swirl is a perfect match. Great pattern selection.

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Thursday, April 7, 2011

LYNN'S SAMPLER QUILT

Isn't this the prettiest sampler quilt? I love the fabrics Lynn chose for her blocks and the center medallion being set off with the jewel points of gold is perfect. Check out those multi-colored corner triangles. How absolutely perfect to pull everthing help each of the fabrics pop. And Lynn made the perfect choice when she picked the border and "plain" block dark batik fabric to complement the primary color tone on tones.

We discussed possible options for custom quilting but I was afraid if weren't careful when making design and thread color choices we could easily have a "war" happening between the piecing and the quilting.

I designed a panto, an edge-to-edge quilting design for this quilt called 1485 RIBBONS AND LEAVES. I want the quilting to be fairly open and full of motion. The swirling of the ribbons and the tumbling leaves captured in the ribbons enhances the patchwork without distracting from the Lynn's skill as a piecer. Nice work Lynn!

A close-up of her center medallion ...

I used a King Tut varigated thread called Sheaves which has several shades of yellow to gold for the top thread and a Signature 100% cotton thread in a medium yellow shade for the bobbin. Batting is the 80/20 from The Warm Company (Warm Bond) so this quilt will wash up nice and soft with wonderful antique puffiness around the stitching lines.
1485 RIBBONS AND LEAVES is available in the store formatted for both Statler and Intelliquilter and marked down for one week only at an introductory discounted price of only $12. Pop on over to the store and add this great pattern to your library while the price is marked down.

... know your craft ... practice your craft ...

... and ... be innovative with your craft ...

Wednesday, April 6, 2011

BABY SHOWER QUILT


Sindy and her friends wanted to make a quilt - a grandma quilt - for a new baby due to arrive in May. They gathered their scraps and yardage and set to work.

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Tuesday, April 5, 2011

IRISH MIST

 


If you were at the Southeast Statler Retreat in Atlanta this year you may recall a request for design help on a quilt called Irish Mist. Many in the audience had suggestions but most were edge-to-edge.
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Monday, April 4, 2011

CHOCOLATE COVERED CHERRIES

SUE RED & BROWN
Susan's quilt ... a scrappy 9-Patch using all different shades of red and brown. Part of what makes this quilt so effective is the way Susan used so many different textures, so many different shades, and varied the scale of print. What really pops is the fabric that is a paisley with reds and browns and just one little spark of blue.

Light red is always a shade that is hard to grasp when on a search through your stash because we have labeled that tint "pink" so we breeze right on by the pink fabric basket. But look how well the pinks work in with the reds keeping a good flow of value across the quilt top.

Susan's plans are to use this quilt on her bed during the month of February. How perfect is that since this quilt looks to me just like chocolate covered cherries or strawberries dipped in chocolate. I would never have thought to use this color combination which just goes to show there is inspiration no matter where you look (or taste LOL).
I used an edge-to-edge quilting pattern called 1458 HEARTS AND VINES FLIPPED E2E for Susan's quilt and got to hone my "relocate to two points" while working on the quilt.
First I set up my rows with alternating plus and created a CSQ file of just two rows sized specifically for Susan's quilt top. I was pushing the limit of throat space as I rolled - the two row pass is about 17.5" but with the start/top point in the middle I actually needed 22" of sewing space. I ended up going back in and dividing my CSQ two row file into two separate rows when I got the the bottom half of the quilt. There is nothing worse than to be quilting along and get the "abort" message due to an obstacle in the sewing path! That is when you take time out, regroup, breath ... and have another chocolate covered cherry. LOL


I mentioned earlier that I used "relocate to two points" with each roll to set up the next two (or one) row. Because of quilt shrinkage I couldn't just use the start/end points. I used the points of the hearts in the quilting pattern and my crosshairs to check to make sure I kept the pattern lining up correctly as I stitched my way down the quilt. It took a little bit to get used to seeing the quilt design not line up on the screen but knowing that it was lining up on the quilt. I also drew a "throat space-quilt edge" pattern boundary for each pass so I could check to make sure the rows were going to fit in the stitching space. That little trick helped me know when to switch to a single row pass.
Like the way this pattern looks? Want to add it to your pattern library? It is one of 3 patterns that for one day only ... the MONDAY ONE DAY featured patterns markdown of 30%. The patterns featured for today only at only $10.50 per pattern are:
STATLER
INTELLIQUILTER
040411 mon one day
... know your craft ... practice your craft ...
... be innovative with your craft ....

Saturday, April 2, 2011

RED AND WHITE


RED WHITE HOPSCOTCH
I love red and white. I love red clothes. I love red shoes. I love red dishes. I love red in my quilts. So you can imagine my excitement when I read about the exhibit held in New York City in conjunction with the American Folk Art Museum just this last week for one week only. Joanna S. Rose shared her 650 red and white quilts from her collection of over a thousand quilts as a gift to the people of the city and surrounding area. Quilters flocked to the event and were amazed to see such a tradition of 3 decades of quilts hung in such an artful way. This was definitely not your typical quilt show.
Unfortunately, I wasn't able to attend this show. I think subconciously for me New York City is still 3000 miles away rather than just the short train ride of only two and a half hours it takes to get there from Lenox. To read more about this show visit Martha's blog and to see even more photos visit the flicker album created for visitors to share their view of the show. And you can bet I'm signed up for the newsletter from the museum so I don't miss out on the next exhibit of interest. In fact, several of us from our quilt guild are trying to get our calendars together for a day trip to the city later this month. I'll keep you posted and take lots of photos.

These are some pillowcases that I always use with my red and white Hopscotch quilt. (Click on the link for the pattern.) They were a wedding gift for Mike and me forty-one years ago. Dare I say they are antique or vintage, and if I do, does that make Mike and me antique or vintage???
LOL Probably best not search too long for the answer to that question. I think it depends mostly on the day how "antique" I might feel.
Have a wonderful quilty weekend ... and ...

...know your craft ... practice your craft ...
... be innovative with your craft ...

Friday, April 1, 2011

STONEHENGE HOLIDAY

 Here it is ... one of the prettiest Christmas collections of fabric I've ever seen. You may be familiear with the Stonehenge line of fabrics from Northcott. It is a stale in their fabrics and they are the most versatile luscious texture laden fabrics I've seen in a long time. Definitely good stuff t have in your stash for just about any quilt project you could think of working on. Lots of colors even across a single piece of yardage. And then when they start playing with the add-ons o the basic line you end up with a pallette of fabric that allows you to paint across your design wall in ways you've never imagined. So you can see why I was so excited to get this box of yardage in the mail from Northcott the other day. These weekend definitely has playtime set aside because look what else was in the box!



I have some definite ideas about how to use the collection to set off these beautiful panels and can hardly wait to get started with the cutting and piecing of the border blocks. Most people are thinking about or even getting started on their Spring gardening this weekend. Not the case here in the Northeast. If it is going to look like Christmas outside on the first of April then I think I'll just go with the flow and work on Christmas!

... know your craft ... practice your craft ...
... be innovative with your craft ...