0910: black and white ... and a little bit of red ...
Structured piano lessons are starting for Colin andLuci this month; no more free exploring (random pounding - oh, did KK say that LOL) No more
free explorationsounds a little harsh, doesn't it. We all need time to be adventerous stepping out on our own and exploring. Maybe the concept should be rephrased to directed, more purposeful and thoughtful exploring ??? This I know for sure:
Everyone needs time to play.
That's what you will notice with several of the quilts in these pictures. Taking time to play with scrappiness. I like to choose a theme or color palette to work with when I do scrappy quilts. You would probably call mine more planned scrappy than true scrappy.
On occassion, I have pieced some quilts where I used the common trick of dropping all the patches in a paper back and pulling the next patch to be added to the block at random. I don't know about you, but I find it more difficult to go totally random with my scrappiness. Does that me I have control issues? LOL
I love the drama of black and white with a splash of red and have the quilts and fabric in my stash to satisfy that visual hunger. One of the most favorite quilts in booth displays at market was pieced with black and white with a splash of red ... especially appealing to the guys.
Some notes about the patterns featured here in the collage:
* a hand pieced red and white quilt top I found at a tag sale. I have always loved this pattern. It's a tricky one to keep all those bias edges square and straight. I will have to do some squaring and easing of fullness with this one before I can begin to think about how I would like to quilt it. I also need to decide if I want to try to find a coordinating fabric to finish out the borders or not. In the meantime, it's lovely to look at on the quilt rack just like it is.
* the quilt on the left is a pattern I developed for our anual December mystery quilt party using the stack and slash technique. The blocks and quilt were sized just to the right dimensions so the extra blocks could be used in the outer border.
* the quilt on the right is one made from a popular pattern/techniqe that we've seen lots of places in shops, classes and workshops, and across the internet ...
STRIPS AND CURVES by Louisa Smith. I gathered my fabrics to fit my black and white color theme, added in the fussy-cut piano keyboard fabric here and there, and used a range of reds to round out the strip strata ... what a great way to play with color and practice piecing those curved edges.
And finally, the pattern for the quilt that was so popular in booth displays at market and quilt shows around the country ...
MQS 126 QUEEN ANNES' LACE. This pattern was original included in the collection of designs in my book that is now out of print called Blocks That connect.
The book was written to be used as a manual for my beginning patchwork piecing classes and is chock-full of all kinds of tips and tricks to help you be a more successful quilter while having fun developing your skills and honing your craft.
I am in the process of re-releasing the patterns individually as e-patterns readily available for immediate download.
Queen Anne's Lace is designed to give a beginners quilt a more advanced look with the pieced border (which included secret fudge-factor tips making everything fit together perfectly.
Another feature is the optical illusion of the center appearing to be set on-point. But the best part: the patches used in the border are actually left-over scraps from piecing the blocks used in the center of the quilt.
Thanks for stopping by... be brave and play scrappy today - well, at least, take time to play!
